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Films of The Prisoner of Zenda 2: Talkies
1937 and 1952 (IMDb reviews)
Entertaining, exciting, but in many respects unsatisfying adaptations of the classic adventure novel, playing up the romance and swashbuckle at the expense of the darker, political thriller aspects. Using the same basic shooting script (based on the 1890s stage version) both films failed to take advantage of cinema's ability to open up and develop a book's first-person narrative, so some characters are underwritten and some of the most dramatic scenes unfilmed.
As usual, the male leads are generally too old in both versions, but the 1937 version has the advantage in having Ronald Colman, a far more charming actor than Stewart Granger, as the Rudolfs, and Douglas Fairbanks jr as a more Hays Code-friendly version of Rupert von Hentzau. (In the book, he's more vicious little psycho than loveable rogue!) In 1952, Deborah Kerr, Stewart Granger (né James Stewart), and Robert Douglas (R D Finlayson) make the Elphbergs distinctly Caledonian, without the contrast in colouring between the brothers (here both are dark). James Mason is a decidedly un-boyish Rupert. (He would have been an excellent Michael if Hollywood must depict him as older than his mid-20s!)
This script implies that Michael is the older of the Elphberg brothers, but illegitimate: Ray Massey was several years younger than Ronald Colman, but didn't look it, and Robert Douglas was about 4 years older than Stewart Granger. Both Antoinettes are too young: Mary Astor was about 30, Jane Greer 28, but at least they bring a noir edge to the role. The script implies that she and Michael are in a long-term relationship and that she wants him to marry her, unlike the novel, in which he is a very recent conquest. Unfortunately, the script also adds banter between Antoinette and Hentzau which gives the impression that she is leading him on: this is a distortion, as is the scene in which she lures him, leading to Michael's stabbing. In the book, her dislike of Hentzau is unequivocal. He attempts to rape her before the alarm is meant to be raised; Michael dies a hero, defending her in a swordfight in the dark; and she chases Hentzau with a pistol. But I suppose the Hays Code and the script's softening of Hentzau's character are to blame, plus it might have been considered confusing for audiences to find themselves suddenly cheering on the Duke...
I'd like to see more moral ambiguity about the ethics of the military propping up a dissolute autocrat in the teeth of popular opposition. Neither film showed the protest demonstration by the urban poor at the coronation. Ruritania's a repressive state ruled by an absolute monarch through the police and the army: to come properly to life on screen, it really needs Istvan Szabo!!!
1937 Gallery
 Poster |
 Another poster |
 And another poster |
 Rassendyll (Ronald
Colman) |
 Sapt (C Aubrey Smith) & Fritz
(David Niven) train Rassendyll |
 Coronation |
 Rassendyll & Michael (Raymond
Massey) |
 Rassendyll & Flavia (Madeleine
Carrol) in coronation dress |
More coronation
cheesecake... |
 Fritz, Sapt &
Rassendyll |
 Michael & Rupert (Douglas
Fairbanks jr) |
 Rupert |
 Rupert close-up |
 Antoinette (Mary Astor) &
Rupert |
 Rassendyll & Flavia at the
ball |
 Rassendyll & Flavia in the
garden |
 An embrace... |
 Fritz & Rassendyll |
 Rupert & 2 of the lads at the
summer-house. (Rupert shouldn't really be in this
scene!) |
 Rupert has a cunning
plan... |
 Rupert throws a knife at
Rassendyll |
 Rassendyll vs Bersonin
(instead of Detchard!) |
 Rassendyll vs Rupert |
Rassendyll vs
Rupert
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Der Gefangene von Zenda
Illustrierte Film-Bühne no. 1486
(1950s German release) |

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1952
Gallery

1952 poster |

Belgian poster |

Another poster |
Seeing double... The Rudolfs |

Rudi toasts Flavia... |

Sapt & Fritz
sober up Rassendyll |

Fritz & Sapt |
 They check Rassendyll's
makeover |

Michael &
Antoinette |

Rupert |
 Michael & Rupert at the
coronation |

Enter... the King?! |

Flavia pays
homage |

Procession |

The Ball |

Flavia &
Rassendyll |
 Antoinette tends
Rudolf |
 Rupert makes Rassendyll an
offer |
 Michael goes to his
doom... |

Rupert v Rassendyll |

Rassendyll in action |

Rassendyll v Rupert |

Rassendyll vs Rupert |

And on they go... |
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